Amanda Cockrell

Selected Works

Young Adult Novel
Saints and soldiers and the Untied Church of Dog
Novels
The Hollywood blacklist and a delayed funeral
Historical novel of a Roman legion in Britain
The Horse Catchers trilogy
Mythological novel of the coming of the horse to the American Southwest
Volume 2 in The Horse Catchers trilogy
Volume 3 in The Horse Catchers trilogy
The Deer Dancers trilogy
Mythological novel of the beginning of art
Volume 2 in The Deer Dancers trilogy
Volume 3 in The Deer Dancers trilogy
Children's books
By my mother, Marian Cockrell, the story of an enchanted castle on the edge of Fairyland

What We Keep

The Workers in Words

February 25, 2014

Tags: linotype machines, etaoin shrdlu

Today’s mystery question: Who is Etaoin Shrdlu?
If you know without googling it, chances are you can read upside down and backwards.

I worked for a newspaper years ago in the days of hot type, cast from molten lead on the Linotype, and spent a lot of time in the backshop staring at mirror-image copy in the forms from which the paper was printed. I had to read it upside down as well, because the backshop guy was always standing at the bottom of the page asking why he couldn’t just cut the last paragraph of the flippin’ story, which was too long – again. It took delicate negotiation to convince him to take out a less vital sentence in the middle of the third paragraph instead.

The backshop smelled like hot lead (and cigars) and the linotype machines fascinated me. They were monstrous and noisy, full of clanking wheels and levers and mysterious gears. They spat out slugs of metal type, an entire line at a time, properly spaced for the column width. etaoin shrdlu was what you got if you ran your fingers down the first two rows of lowercase keys, and often appeared as a placeholder for type still to be set, or as a test line when the machine was fired up. Occasionally it got left in by mistake, giving the phrase a certain mythic quality, like a reappearing ghost. It wouldn’t have surprised me if there were ghosts in the backshop anyway, with so many accounts of political skullduggery, double murders, and body counts from Vietnam, cast in hot lead, here for one edition, melted down tomorrow for another gruesome tale.

The men who ran them were inclined to call me Hon and tell me dirty jokes, and occasionally came to work drunk, but they knew their craft. They were, to paraphrase Leonard Cohen, the workers in words, as much as I was, and with a lot more experience. I think of those machines, and of peering over a form at lead type, now as I effortlessly move paragraphs around on a Word document or change a character’s name with global search and replace. You had to know what you wanted to say with those machines because revision was not allowed for anything other than misspellings or mislaid facts.
Goodnight, Mr. Shrdlu. I learned a lot from you.






























Chocolate novios for Day of the Dead


Noon Whistle at the Lizard Works

Back yard bottle tree



The last hurrah


Delia Sherman and Ruth Sanderson, summer Children's Lit faculty

Children's Lit faculty Brian Attebery and Ellen Kushner at the end-of-term party